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This inscrutable masterpiece has been on my mind and in my bones for some years and, from the unusual hold it has on me, I would think a lifetime or more. Many people who know me know that when they are over my house I have forced them to listen to me play it. I think I may finally have a reasonable take on it, for now—linked above. I should share that something really clicked for me this past Monday, the day after I went to see Panahi’s magisterial Dayereh at Metrograph. The message of both works seems so strongly to align that the discovery—and its relationship to my own life—was transformative.
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AuthorRamin Amir Arjomand is a pianist, improviser, composer, conductor and teacher based in Brooklyn. Archives
October 2025
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